While working as Head of Design at a London leather manufacturer, I led the design and presentation of a pitch for Ozwald Boateng, proposing a range of apparel, accessories and leather goods using UV printing on leather. The designs drew from the house’s iconic patterns and silhouettes, reinterpreting them across different product categories. The pitch was successful and moved into sampling.

A key part of the project was the implementation of a new CLO and Gerber integrated workflow that I introduced, tested and refined throughout the development process. It allowed us to visualise ideas quickly, improve sampling efficiency and accurately plan pattern placement and matching across seams and individual pattern pieces.​